Mon premier blog

Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films Gil Bettman
Publisher: Wiese, Michael Productions

'Two Film Stills.' by David Campany. Apr 24, 2012 - One Photograph #6. Bresson writes in his only book Notes on the Cinematographer (1975): No actors. Dec 6, 2013 - In the recently concluded 2013 edition, Singaporean film directors Leon Cheo and Ang Geck Geck Priscilla were privileged enough to be chosen as two of the 24 Asian participants. Jun 29, 2012 - It is an omnipresent trait of Hollywood films and American TV that women must be beautiful, scantily clad, and visually objectified to extremely heightened degrees while men dress and move, for the most part, like normal men. SINdie's Thong Kay Wee caught up with them to talk about their AFA experiences, their thoughts about attending this prestigious academy and how they feel as representatives of a growing crop of young talented local and Asian . But the use of working models taken from life. Michael Powell & Emeric Pressburger's A Matter of Life and Death (1946), which I watch often, the camera without thought or self-consciousness. And screaming at your monitors that, dammit, man, you can't describe the shots because it's up to the director to decide how that scene will be filmed and thus, all you can do is just tell the story – what happens to what character and then move on to the next scene. Nov 12, 2007 - The only way you can truly excel at writing cinematic stories (on a par with or surpassing the pros) is to elevate your craft to a level where you can (without using camera angles) WRITE THE SHOTS. Here are two very different publicity stills from two very different films. Jan 21, 2014 - The honor recognizes an artistic career spanning more than three decades, more than 100 films and two Academy Awards (for The Incredibles and The Right Stuff).